hello viewers this is a film ooh-ooh -
gal room aka a Galu the artistic
director of a free review of creativity
today I am still going to make and say
what on what I said some in some of my
series about the introduction of this
book go go
which is it's a book on talking drum I I
wrote this book myself everything in
this book is what I really want to put
on video for everybody to see and
starting from what this book contains
the contents of this book home on this
book I'm going to go into everything in
air on this video it's going to be in
series of course I cannot cover
everything in this first lesson so for
people who are flare when you learn what
talking drum is all about you want to
know what talking drum is all about and
then we have the opportunity if they
can't get this book on the video I think
they will be able to get closer if not
the routine of on talking drum on this
book we are the contents are the
contents in this book are in the first
place I tell you the paths that talking
drum is made of what talking drum is all
about talking drum is an instrument that
talks at the park ocean it's a
percussion instrument of course enough
reform of creativity we do a lot of
precautions that we teach people and we
give them what they need about our
courses I personally as the artistic
director I love percussions on this on
the content of this book we are going to
introduce to you the packs that these
are talking drum is made of this PC then
the ways to undo it where to put it if
you are left-handed where to put it
right under and how to tune the timid
our critics marks that are important to
find get close to that then you start
forming your own rhythm and now to go
deeply into this book just wait and see
what I'm going to put up this for you we
are going to the proposition er just
hold on welcome back now let's go
properly into what we have
in the book I introduce to you goggle
with ease
published by yourself in solo to Galu
aka aiya Galu the artistic CEO of a free
raft of creativity contact me on
Facebook a free form of creativity you
have any question this is talking drums
so here with me is the beta is the stick
we call it Congo we call it Congo
because it is bent you see so here with
me is the an do these things on your
shoulder for this kind of this type of
drum even for the Yalu which is bigger
than these that one is meant to be drawn
the Andrews distance on the shoulder we
call it a pile so it is the the Andrew
so I'm starting from the face this is
the face the skin a good skin like newly
born boot kids skin so this is what we
use to make this skin and we call it
only then here at the edge in
westernized drums we have the ring we
call it we are the rim on the drums but
this one too is rim we make this one the
rim but our own rear air in your bag we
call it eggy so it is made of leather
and inside this we have some rags and so
it comes on the skin it grips the skin
and what we use in holding this the skin
the face and the rim is also made of
leather so it's like a thread so the
trench is Detroit is also made of skin
so here we have the OSHA things we call
this one's the strings because they
actually oppose to change the tune on
talking drum so there are strings
we call them strings and in Yoruba we
condemn or sure so inside it there is
this how a glass shape that is inside
this on this hourglass shape we are the
front side and the back side being
covered with skin and we have the V
the made of leather so all these comes
together I mean all these come together
to form talking drum in the first place
if you are left under you use left this
thing stays in your left hand why the
drum stays on your right shoulder yes
still on the positioning as I've said if
you I left hand on a stick stays on your
left and and why the drums comes on your
right shoulder and if you re right under
the sticks come to your right and and
the drum stays on your word left show
that but for me as a player this the
drum comes the other way the drums the
drum rather comes the other way so the
drum comes to my right hand and then
stick stays in my left hand so if you
are playing this is what I want you to
listen to it's very nice this is how to
play the talking drum the first thing
you have to know is the three diacritic
marks do ray and V the three diacritic
marks of the Yoruba you have to
understand that if you are able to know
that then later in advanced story you'll
be able to do that okay you want to add
more like the eight solvent notations on
in the music the the westernized music
generally do really fast so a lot to do
so but for now beam a talking drama you
have to first like as a beginner you
have to understand the trick diacritic
marks do really they are all on the drum
I want you to see how it is being played
I told you if you are a left and I'll
let this thing be on your left hand and
the drum come comes on your right
shoulder and if you are a right under
the stick come to your right under this
comes in the drum comes to your work the
left shoulder so see me as I play now
waiting for you to know how to play this
you need to know the three diacritic
marks do read me the first the first
three marks you have to understand
they are all on this drum now see we do
there is no compression though no
compression for real easy compression
just compress it a little that's way
then for me extreme compression so i
doing i'm going to do that again
no compression is a compression and true
compression no compression easy
compression soft compression and extreme
compression so is this a can you see
that let me take it again now no
compression don't compress it soft
compression then extreme compression do
you see that now is go so for the first
lesson I want you to understand that
then mind you why striking your drum
always make sure you are striking the
center of the drum because if you play
the rimshot just this way you are going
to rip off the skin you bought the drum
so it's better as a beginner become
enough to know how to strike first or
they stick this way then strike go go go
go go go don't be too arm ad on it just
hold it and like with soft might and
strike the center so if you want to play
the dough play this way we want to play
the way just compress easily soft then
extreme compression you know the three
sounds are different that is that on
that for the first lesson on how to play
talking drum
let's series we actually be a surprise
to you guys I hope by the next time by
the next series will be making you guys
will be able to join me as I play
because I'm going to start from these
two and from the door
you can start forming up your rhythm
like go that is a reading time then can
take and so on the next lesson I will be
happy to with you guys
I joined me to know how to play talking
drum bad